Ching-In Chen
they/them
Poet, Educator, Activist
Ching-In Chen is the author of The Heart's Traffic (Arktoi/Red Hen Press, 2009) and recombinant (Kelsey Street Press, 2017). Born of Chinese immigrants, they are a Kundiman, Lambda, Callaloo and Watering Hole Fellow and a member of the Macondo and Voices of Our Nations Arts Foundations writing communities. A community organizer, they have worked in the Asian American communities of San Francisco, Oakland, Riverside and Boston, as well as helped organize the third national Asian Pacific American Spoken Word and Poetry Summit in Boston. Chen is also the co-editor of The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities (South End Press, 2011) and Here Is a Pen: an Anthology of West Coast Kundiman Poets (Achiote Press, 2009).
Chen's poetry has been featured at poetry readings across the country, including Poets Against Rape, Word from the Streets, and APAture Arts Festival: A Window on the Art of Young Asian Pacific Americans. Their work has been published in anthologies and journals including Troubling the Line: Trans and Genderqueer Poetry and Poetics, A Face to Meet the Faces: an Anthology of Contemporary Persona Poetry, Quarterly West, Court Green, Indiana Review, Diagram, Iron Horse Literary Review, and BorderSenses. They have won an Oscar Wilde honorable mention for "Two River Girls," a poem from The Heart's Traffic.
Their poem-play "The Geisha Author Interviews," also from The Heart's Traffic was nominated for a John Cauble Short Play Award. Chen has also been awarded residencies and fellowships from Soul Mountain Retreat, Vermont Studio Center, the Fine Arts Work Center, the Paden Institute, Virginia Center for the Creative Arts, Millay Colony for the Arts, the Norman Mailer Center, Ragdale Foundation and Can Serrat.
A graduate of Tufts University, they earned an MFA in Creative Writing and Writing for the Performing Arts from the University of California, Riverside and a PhD at the University of Wisconsin Milwaukee. Chen has taught creative writing at Sam Houston State University and currently teaches courses in the Interdisciplinary Arts department at the University of Washington Bothell campus.
About Their Work:
"I never really work alone" Ching-In Chen confesses in their book "recombinant," which is full of a myriad of ghosts and voices of displaced and brutalized workers, slaves, dispersed and displaced indigenous peoples Read Ching-In's fiercely intimate and haunting poems, and you'll realize that they are a poet of the Dharma, not as in some pithy Instagram slogan with branded hashtags, but Dharma as in action as if holding the pangaeic world together while the underlying techtonics pull with the centripedal force of centuries of colonial brutality. Their poems listen, hold space amidst census records, slave ledgers, excavated (stolen) museumed artifacts that belie all the phoenix ashes of the dispossessed, drenched in "migrant sweat," in forced labor, now dried into "Ashes on a page [that] lift to fingers" and "produce memory from garbage." These poems call us to join them in a practice of being-with of holding tight the sutures that threaten to break under the ache of a wound "…Some days, a line isn't/enough to hold"
Follow On:
IG: @chinginchen
Website(s):
Books (for purchase):
recobinant (Kelsey Street Press, 2017)
The Heart's Traffic (Arktoi Books/Red Hen Press, 2009)
Online Work:
Check out their portfolio on their website
Read for Margin Shift: